Sabtu, 28 Agustus 2010

[A559.Ebook] Download Slave Songs and the Birth of African American Poetry, by L. Ramey

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Slave Songs and the Birth of African American Poetry, by L. Ramey

This book restores the slaves' songs to their rightful place in American literature for their intrinsic value as lyric poetry, and as a touchstone of the American imagination.

  • Sales Rank: #4588867 in Books
  • Brand: Brand: Palgrave Macmillan
  • Published on: 2008-01-15
  • Released on: 2008-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .63" w x 5.50" l, .74 pounds
  • Binding: Hardcover
  • 197 pages
Features
  • Used Book in Good Condition

Review

"A final quintet of publications attests to interest in the lasting effects of 19th-century culture and ideas. Lauri Ramey, Slave Songs and the Birth of African American Poetry (Palgrave), presents a valuable study of the formal and thematic characteristics of slave songs, most of which were collected and published in the latter half of the century. Ramey explains how they have been marginalized in the disciplinary study of folklore, religion, and music while also making a strong case for reading them as poetry, as literary texts worthy of inclusion in the canon. In a series of thematically and topically arranged chapters, she demonstrates their influence on Paul Laurence Dunbar and on a wide array of later poets." - American Literary Scholarship"The corpus of slave songs is enormous, and their impact on African American literature has long been acknowledged. But little has been written about the connection between these songs and American literature. Slave songs are usually marginalized in, or omitted altogether from, literary anthologies and studies of verse. Even classic, if now dated, works examining the songs - including Lawrence Levine's Black Culture and Black Consciousness (CH, Jul'77) and Dena Epstein's Sinful Tunes and Spirituals (CH, Sep'78) - fail to discuss the poetic aspects of the songs. Ramey (CSU, Los Angeles) attempts to fill this glaring void with this erudite yet readable volume. The author provides provocative analyses of some of the individual songs (e.g., "Poor Pilgrim" and "Steal Away"). More importantly, she sheds light on their originality and their African roots, including the call-and-response tradition. In so doing, she makes a strong argument for studying these important pieces in light of their lyric poetic qualities. This is a book for all who are interested in African American literature and in poetry more broadly." - Choice

"Ramey argues that spirituals and slave songs are central to the literary legacy of the U.S., both in their own right as a form that goes to the heart of the American experience and as a major reference of the American imagination, through their influence on black and white writers alike. This book restores the spiritual to its rightful place in the American literary canon and will certainly stimulate scholarly interest in the spiritual as art form." - F. Abiola Irele, Harvard University

From the Back Cover
In spite of the unique beauty and universal appeal of African American spirituals, they are rarely considered to be lyric poetry. In the first major study, this book attests that the spirituals deserve a central place in the African American and American poetry canon as one of a foundational and distinctive body of lyric expression. Ramey restores the slave songs to their rightful place in literary tradition for their intrinsic value as poetry, and as a touchstone of the American imagination.

About the Author
LAURI RAMEY is Director of the Center for Contemporary Poetry and Poetics, and is�Professor of African American Literature and Culture and Creative Writing, at California State University, Los Angeles, USA.

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Kamis, 26 Agustus 2010

[E513.Ebook] Ebook Download Arena, by Holly Jennings

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Arena, by Holly Jennings

A fast-paced and gripping near-future science fiction debut about the gritty world of competitive gaming...

Every week, Kali Ling fights to the death on national TV.
She’s died hundreds of times. And it never gets easier...

The RAGE tournaments—the Virtual Gaming League’s elite competition where the best gamers in the world compete in a no-holds-barred fight to the digital death. Every bloody kill is broadcast to millions. Every player is a modern gladiator—leading a life of ultimate fame, responsible only for entertaining the masses.

And though their weapons and armor are digital, the pain is real.

Chosen to be the first female captain in RAGE tournament history, Kali Ling is at the top of the world—until one of her teammates overdoses. Now, she must confront the truth about the tournament. Because it is much more than a game—and even in the real world, not everything is as it seems.

The VGL hides dark secrets. And the only way to change the rules is to fight from the inside...


From the Hardcover edition.

  • Sales Rank: #395760 in eBooks
  • Published on: 2016-04-05
  • Released on: 2016-04-05
  • Format: Kindle eBook

Review
“A stunning debut, fast-paced, action-packed, with an interesting romance and a compelling yet flawed heroine…Read this book. You haven’t read anything quite like it and you don’t want to miss it.”—Ilona Andrews, #1 New York Times bestselling author

“Blistering action right from the first page, but it’s Jennings’ brilliant characters that kept me logged in to Arena. A thrilling debut.”—Jason M. Hough, New York Times bestselling author

“Think Hunger Games meets Ready Player One. Arena is serious nerdcore entertainment. Gamers, get ready to plug in!”—Chloe Neill, New York Times bestselling author

“Depicting the action and excitement of virtual gaming that made Ernest Cline’s Ready Player One such a hit...Readers seeking more fast-paced sf about virtual reality will be pleased.”—Library Journal

“A nuanced and complex novel with a strong, imperfect heroine and a different approach to the ‘rebel in a dystopian society’ trope.”—RT Book Reviews

“With action-packed battle sequences and older computer-game references, [Arena] will appeal to fans of science fiction like Ernest Cline’s Armada.”—Booklist

About the Author
Holly Jennings is a lifelong gamer who has spent innumerable hours playing World of Warcraft and Call of Duty. Arena is her first novel. She lives in Canada, where she is working on the sequel.

Excerpt. � Reprinted by permission. All rights reserved.
***This excerpt is from an advance uncorrected proof***

Copyright � 2016 Holly Jennings


CHAPTER 1


This wouldn’t be the first time I died. Sure as hell wouldn’t be the last, either. But while most watched this virtual world from the safe haven of reality, there was nowhere else I’d rather spend my Saturday night.

Crouched high on the tower’s parapet, I overlooked a sea of wheat fields. The scent of lavender and taste of wheatgrass wove together in the air, drifting with the breeze as it swept through my hair. I took a deep breath and smiled at the irony, as thick as the mountain air filling my lungs. Lavender. Wheat fields. Tranquility.

Peace, in a place anything but peaceful.

Movement in the fields caught my eye, down and right. A zigzag carved its way through the ten-foot-tall stalks, heading straight for the tower. My smile widened. Maybe this sucker had the balls to take on Kali Ling.

The warrior.

I stilled inside. Even breaths. No fear. At the field’s edge, the stalks trembled violently. The air filled with the rainstick rustling of brush and dry grass. Yes. Someone would emerge. I gripped the sword sheathed across my back and waited, muscles tight, mouth watering. Come on. Give me something. A brute. Six—no—seven feet tall, wielding a mace. Or an axe.

Give me anything.

A rabbit scurried out from the field. Nothing followed. The grass fluttered in the breeze. Birds chirped, nestled in the nearby sycamore trees. It was the rabbit, and only the rabbit.

For now.

I punched the parapet’s brick wall, but when my frustration subsided, I realized another irony. In 2054, most twenty-year-olds hid behind a barricade—of textbooks. Studying for hours, days, or even years on end, they’d hide away from the real world only to remerge bright and eager to end up in jobs they’d hate. Meanwhile, I strapped on battle gear, sword and all, and headed into these fields.

Fields I now frowned at, which had stilled just to spit on my excitement. Only streams of sunlight punctuated the stalks from above, like skylights from the heavens. Everything blended together in shades of beige as if the landscape had been whitewashed through a sepia lens. In the distance, the enemy’s tower loomed, wrapped in a corkscrew of mountains and rocky terrain. How many of them remained? How close were we to victory?

Shuffling footsteps turned my attention inside. I leapt from my perch and landed on the tower’s stone floor with the impact of a fallen leaf. The wind whispered around me as it bowed to my movements.

The warrior. Pffft. I should be the ninja.

A pigtailed blonde stood in the center of the tower, dwarfed by more than the stories-high walls around her. Lily, fair-skinned with delicate features, like the flower she was named for. Dressed like a scantily clad Scandinavian warrior, she wore nothing but fur-lined armor and a wicked grin. Her hands rested on the pair of short axes sheathed at her hips. Not so much like a flower.

Lily shook her head as she approached.

“Your eyes,” she said.

“What?”

“They can’t see your eyes.” She pushed up to her tiptoes and brushed strands of raven hair away from my face.

“Does it really matter?” I asked.

She frowned. Of course it mattered. Soft and black, my eyes were a distinguishing trait. How marketable.

How perfect.

“It’s the Death Match,” she said with a tsk. “Everything matters.”

“Did Clarence teach you to say that?”

“Do you think I would have listened?” She grinned and nodded at my perch. “How’s the view?”

“Boring.”

A piercing scream ripped through the stillness, resounding off the tower’s walls. My ears perked up, and I seized the dagger at my waist. Dust clung to the air in suspended animation, trapped like the breath inside my lungs. Then, chuckling at myself, I exhaled, released my grip on the weapon, and nudged Lily.

“Really? Did they tell Hannah to go down easy? God, they’ll do anything to add tension.”

My chuckles faded when I met Lily’s taut expression. She shook her head, drew an axe from her belt, and crept toward the tower’s entrance.

I scoffed.

“Lil, come on. There’s no way someone took her out that fast.”

“I’ll check it out anyways.”

“From the treetops?” I called out.

“Where else?”

Lily disappeared from view through the tower’s entrance. Leaves crunched, and branches snapped as she climbed. Then it went still.

A breeze drifted through the tower and brushed against my bare midriff. I adjusted the armor padding on my shoulders and gripped the sword at my back, drawing it out slowly, purposefully, to catch the late-afternoon sun glinting on the blade. As if millions were watching me.

Absolute quiet blanketed the tower. The birds stopped chirping. The wind stopped rustling.

My breath hitched.

I planted my feet, sword out. Ready. Scuffling footsteps and soft grunts sounded out beyond the tower walls, followed by sharp chopping and wet splats, like cleavers hacking up meat. Or a person. Then, nothing.

I took a step forward.

“Lily?”

Silence.

Then footsteps, heavy and rough, beat up the dirt path to the tower. Two men appeared in the entranceway, both tall enough to brush the top of the tower’s entrance. The metal armor covering their chests, wrists, and calves struggled to contain the muscle beneath, every buckle and clasp strained tight. Ribbons of blood snaked down the swords gripped in their hands. Not bad, boys, but certainly not enough.

Not for me.

“Is this it?” I asked with a grin. “I was hoping for a challenge.”

On cue, two more men appeared behind them.

Oh shit.

Four? What kind of crazy-ass ploy was this? Pushing into a tower with four left only one to guard their own. Where was the rest of my team? Why hadn’t they taken the enemy’s fortress?

Of the foursome, one had a cut down his eye and cheek and wore no armor on his chest. He moved toward me first, and the others fell in step behind. At the sound of their pursuit, he held a hand up and gave a swift shake of his head. They halted.

Taking me alone, One-eye? Impressive.

And completely dumb-ass stupid.

He broke off from the pack, leaving them at the door. The trio paced and whimpered, like hyenas waiting for the lion to make the kill. But like good animals, they obeyed their master.

One-eye charged, weapon raised, footsteps pounding across the stone floor. I remained, feet planted, bringing him to me. Breaths filled my lungs, slow and steady. A smile pulled at my lips.

Let’s dance.

He grunted as he swung for me, muscles straining. I parried his blows and swept him to the side. Like wind. Like water. Metal clanged against metal in a steady beat, his weapon slipping across mine every time.

We broke apart.

He grimaced, muscles clenched. Sweat dripped down his face. I grinned and rolled my shoulders, muscles like liquid. His knuckles turned white around the hilt of his sword. My weapon rotated with the flicks of my wrist, like an extension of my own limb.

He came at me again, making chopping motions in the air. The wind whined under the sharp slashes of steel. I stood tall as he reeled back and swung. As his sword whooshed through the air, I ducked. He stumbled past, revealing the canvas of his back. My sword ripped across it in so many rapid successions, I nearly wrote my name.

Zorro could kiss my ass.

One-eye went down to his knees, shaking. Breaths rasped through his lungs. Snorting like a bull, he pushed up to his feet and came at me again. Wielding his sword with both hands, he swung it like a bat, hard. The impact reverberated down my arms and knocked the sword from my grip. It went flying, smacked the far wall, and tumbled to the ground out of reach.

He grinned at me and brought his weapon down. I rolled, missing the blow. Drawing the dagger from my hip, I pushed up to my feet and slammed the blade into his shoulder. It disappeared down to the hilt. He groaned. I jerked it sideways. He cried out and dropped his sword. It clanked on the floor.

Blood poured out of the wound, gushing over my hand. I lost my grip on the dagger and tumbled to the ground.

Get up.

The instant my back hit the floor, I pushed up, but my heels slipped across the bloody floor. One-eye ripped the blade from his shoulder and advanced. I scrambled backwards.

Keep space. He can’t hit you if he can’t reach.

I backpedaled, trying to get my feet beneath me, heels not catching. Blood sprayed out from my kicking heels.

My back hit the wall.

Cornered. First rule of fighting: never get cornered. Damn it.

One-eye closed in.

My chest tightened until I gulped for air. No. I was fine. I’d died before. Simulations. Practices. They teach you how to die. Fighting with honor.

For the show.

He knelt and delivered a swift backhand across my face. My head snapped to the side, vision reeling. Pain blistered across my face with the sharp sting of a rubber band. One-eye straddled me and pushed his weight into my stomach. I gagged and wriggled beneath him, trying to free myself. No luck. His weight and legs formed a vise around my lower half.

In a sweeping arc, he swung the dagger toward my neck, like a reaper wielding his scythe. Skin slapped skin as I caught his forearm with both hands and strained against him. He grimaced and leaned forward, adding weight behind his strength. My hands trembled, muscles screaming in protest.

The blade lowered.

Cold steel kissed my skin. I gasped and bowed my neck in. Come on, Kali. Fight.

Every nerve in my arms and chest ached. The trembling in my hands descended into violent shakes. One-eye grinned down at me like an animal driven mad with hunger. The dagger dug into my throat, sharp and burning. I squirmed and clamped my teeth shut on a squeal.

“Shhh,” he hushed, condescending and overexaggerated. His crew of douche bags giggled in the background.

Blood trickled out of my neck. Fucking bastard. Didn’t cut deep. I’d bleed out in minutes, not seconds. He was drawing this out, purposely, to make me suffer.

With one hand, he pinned my wrists above my head and with the other, held the knife over my face. I braced for the final blow, straining every muscle against a shudder. But instead of bringing the knife down, he let it dangle just above my lips. My own blood, sweet and metallic, dripped down and seeped into my mouth. I sputtered and coughed. Laughter rumbled in his chest. He was enjoying this, sick asshole. And he should. He’d won.

I closed my eyes. This was it. Defeat. Might as well accept it.

No. That wasn’t part of my image. That wasn’t Kali Ling.

The warrior.

I wrenched a hand free and punched One-eye hard across the face. His head jerked sideways, but his weight remained planted on my hips. Damn it. I reached for his shoulder wound, dug my fingers inside, and pulled. He threw back his head and howled, legs convulsing around me from the pain.

I grinned, then faltered.

My neck.

My breaths morphed into gasps for air as the blood continued to drain from my throat. Numbness captured my fingers, and they slid down his chest, trailing three rows of fading blood across his skin. He looked down at me. Our eyes locked.

Mine fluttered.

He laughed, revealing a row of perfect, bleached teeth. That sardonic laugh reverberated in his chest, flexing muscles I’m sure were already flexed. It was over. He had won.

My hand collapsed to the floor. Coldness crept up my limbs as my vision whirled and faded.

No. This wasn’t happening. We don’t lose.

We never lose.

The weight pressed against my stomach lessened as One-eye leaned toward my face. His breath came out in snorts, ghosting across my cheeks. Sweat dripped from his skin and mingled with mine. It swirled together with the blood in my mouth, salt and metal. I gagged from the taste, and from the blood bubbling up my throat.

My breaths shortened. He grew closer still, until the heat from him radiated against my skin. An inch. Maybe less.

I could just picture the cameras zooming in.

“Night, night, sweetheart,” he whispered as my eyelids fluttered, and my head rolled to the side.

Despite the numbness, a flood of emotions rushed through me. Shock from losing the fight. Fear as the darkness closed in around me. Rage fueled by the adrenaline pumping through my veins. And beneath it all, I had to admit I was impressed.

He knew how to put on a damn good show.




From the Hardcover edition.

Most helpful customer reviews

1 of 1 people found the following review helpful.
This is not a bad book, and has its upsides and enjoyable moments
By Amazon Customer
An odd mix of empowered folks taking it to the 'man', and a forced romance. This is not a bad book, and has its upsides and enjoyable moments; but overall was not a title I enjoyed.

1 of 1 people found the following review helpful.
Way too much focous on sex and sexual tension,
By Amazon Customer
Way too much focous on sex and sexual tension, cutting all that out would make for an epic action packed chapter or two

0 of 0 people found the following review helpful.
DNF at sixty pages.
By Silverscarf
I debated whether or not to actually write this review, I hate to write reviews on books or movies I didn't finish. Please don't decide to or to not read this book just because of this one review, I didn't finish the book, but you might like it more than I did.
When I saw this it sounded like the kind of book I would love, but I couldn't finish it. I was expecting something like Unreal Tournament meats the Matrix trying to be the UFC in a YA novel, perhaps my expectations were a bit too high, but I was hopeful, so hopeful. I DNFed at about sixty pages in, now normally I like to give books between fifty and a hundred pages to hook me. But here I just couldn't stand this book anymore. It's an interesting idea, and I really wanted to like it, but there was so much unnecessary crap to slog through, right away there was a great action sequence, but after that it just went downhill. The world building wasn't there, I didn't like the characters, it wasn't enjoyable at all. Major heads up to parents or younger readers, this is a very adult book, not young adult but new adult, in just the sixty pages I read there was explicit swearing, sex, lots of drugs and alcohol, and gore. None of these things really bothered me, but I like to let people know about that stuff. This is effectively an R-rated book. After reading some of the other reviews said that it can get really repetitive, I can't imagine a video game sports league where in the one sort of combat event there is only one map. Can you imagine how boring your favorite game would be if it only had one map, one level, one mode of game play? After I knew that it got worse than what I was already experiencing, I just decided to call it quits. Maybe it was just that the writer in me kept speaking up that there were so many things that I would have done differently, but I didn't like this book and maybe it just wasn't for me, but I couldn't finish it. If you are looking for a more mature type of video game centric novel then you might very well like this more than I did, I recommend checking out the kindle sample or getting it from the library to find out.

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Sabtu, 21 Agustus 2010

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Facts101 is your complete guide to Modern Semiconductor Devices for Integrated Circuits. In this book, you will learn topics such as Device Fabrication Technology, PN and Metal-Semiconductor Junctions, MOS Capacitor, and MOS Transistor plus much more. With key features such as key terms, people and places, Facts101 gives you all the information you need to prepare for your next exam. Our practice tests are specific to the textbook and we have designed tools to make the most of your limited study time.

  • Sales Rank: #2275073 in eBooks
  • Published on: 2016-09-26
  • Released on: 2016-09-26
  • Format: Kindle eBook

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Minggu, 15 Agustus 2010

[Z448.Ebook] Download Plot & Structure: (Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish) (Write Great Fiction)

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Plot & Structure: (Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish) (Write Great Fiction)

  • Sales Rank: #7560808 in Books
  • Binding: Paperback

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Senin, 09 Agustus 2010

[K723.Ebook] PDF Download The Collector, by Tibor Fischer

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The Collector, by Tibor Fischer

  • Published on: 1997-01-01
  • Binding: Hardcover

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0 of 0 people found the following review helpful.
I LOVE this book.. but it does fizzle at the end
By Hoby
This is one of the best books ever! From the very beginning it's an amazingly entertaining piece of storytelling. It has a decidedly british tone to it.. which takes a few pages to sink into. But once that hurdle is vaulted, you're in for a nearly constant chuckle-fest for probably 90% of the rest of the book.

The protagonist's attitude, the situations, the descriptions! Ughh.. I simply loved traversing through the language play of every page. It's so quotable. So fresh. So much fun.. I bet it would be a great book to read aloud - in spite of the many breaks for extended laughter that will have to be taken.

The only reason it doesn't get a full 5 stars is because toward the end.. well, it starts to fizzle and drag. His delivery seems more rushed and dry, becoming needlessly repetitive. It's like he doesn't quite know what to do with his characters after a while.. or what the dialog should be devoted to. He does wrap the plot up in some way or another - just not with the panache available to the rest of the book.

I SO COMPLETELY recommend this book to everyone. Oh, and have a dictionary handy. The vocabulary used is quite a bit beyond most things I've read lately.

0 of 0 people found the following review helpful.
Prefer author's other work The Thought Gang
By An Unfashionable Woman
I did not like this book as much as I liked The Thought Gang. Some of the characters were interesting, but some were one-dimensional, and I never got comfortable with the concept of the narrator.

7 of 7 people found the following review helpful.
Life in a Fischer Bowl
By Mike Stone
I enjoyed Fischer's book "The Thought Gang". A lot, actually. Unfortunately, for its first half, "The Collector Collector" did not live up to that book's standards. It lacked its narrative thrust and rollicking sense of humour. Hindsight tells me that I just wasn't getting Fischer's intent. I now see that he wrote a demented, perverted, and hyper-articulate version of "Bridget Jones' Diary", where the female protagonists are as likely to maim and murder their sexual conquests, as fall in love with them. Also, there's a professional matchmaker trapped down a well by a dissatisfied customer, and many frozen iguanas. This is all filtered through the magic-realist perspective of the main character, a 5,000-year-old bowl. Who can read minds. And change shapes. If none of this makes sense to you, I take full blame, for Fischer manages to hold it all together perfectly.
On the surface, there's much here to giggle at, and think about. But underneath all that, there's also a lot of loneliness in the book. People are constantly running from or pushing away romantic partners, for inexplicable reasons. Rosa, in whose London flat much of the action takes place, is desperate for every man she meets to fall in love with her. Contrast this with Nikki, a kleptomaniac/prostitute/houseguest, who doesn't even know what kind of happiness she wants. And then we have our narrator, the bowl, who appears to have witnessed the entirety of human history, and has an endless catalogue of human characteristics stored away, but can't speak with those around him (her?).
There's really not much story here to hang your hat on. The book is a series of quick scenes, tableaus, culled from Rosa and Nikki's everyday life interspersed with stories from the bowl's memory. I found that hard to handle at first, but got used to the style after a while. And in the end, even though I didn't enjoy it as much as "The Thought Gang", I still got a kick out of "The Collector Collector".

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Jumat, 06 Agustus 2010

[K875.Ebook] Download PDF Midlife Orphan: Facing Life's Changes Now That Your Parents Are Gone, by Jane Brooks

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Midlife Orphan: Facing Life's Changes Now That Your Parents Are Gone, by Jane Brooks

The word "orphan" may make us think of a child--but even self-sufficient adults can feel the pain of "orphanhood" when their parents are suddenly gone. Complicating the natural mourning process is the fact that this loss often occurs in our thirties, forties, or fifties--as we are raising our own children, watching them leave the nest, and facing other adjustments in our lives, from our jobs to our marriages to our health. This thoughtful exploration of a neglected subject explains the emotional impact of losing our parents in the midst of midlife--and why many underestimate it. Discussing such topics as changes in self-image, unresolved issues, guilt, sorrow, and anger, the emotional impact of inheritance, and the shifting of roles as a result of "midlife orphanhood," Jane Brooks shows us how to find new sources of strength, in both ourselves and others, after our parents are gone.

  • Sales Rank: #157203 in Books
  • Published on: 1999-04-01
  • Released on: 1999-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .60" w x 5.10" l, .44 pounds
  • Binding: Paperback
  • 240 pages

About the Author
Jane Brooks has a master's degree in educational technology from the university of Maryland, and is the co-author of The Children's Hospital of Philadelphia Guide to Common Childhood Infections. She has been a freelance writer for more than twenty-five years, lives in suburban Philadelphia, and is the mother of two sons.

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66 of 67 people found the following review helpful.
A must read
By A Customer
I am 48 and lost both my parents a year apart. This book has helped me far more than a counselor. The author totally understands the feelings of losing ones parents in midlife. This book is a must read for anyone who has lost a parent.

4 of 4 people found the following review helpful.
One of the best books I've read on grief
By kiwi girl
I lost my mother, she was 77, suddenly 2 months ago. I had been her main caregiver. My father passed away tragically 20 years ago at the age of 60 from cancer. I took my mother's passing much harder than my father's. I miss him a lot too but the grief for my mother took me unexpectedly and I have struggled a lot. This book is one of the best books I've read on grief and in particular if you have lost both of your parents. It covers off a lot of the feelings and emotions that you will come across. It was as good as a counsellor in many ways. I would recommend this to anyone who ends up being a mid life orphan.

5 of 5 people found the following review helpful.
This was a great book to help me through my father's death.
By Kpitts
My father was a very active 83 years old who suddenly became ill and died within four months. We were all devastated. This books talks about loosing the last of a generation.....something that none of us were prepared for. It gave us lots of things for discussion that we may have left unsaid. We were able to keep the communication open between all of my siblings. This book helped us discuss our family traditions and why they were important to us. We discussed our family home and decided to let two of my sisters keep the house as it was a very important part of who we all were as a family. We all felt it would help to keep our parents memories alive and keep us close as a family. I would highly recommend this book for reading for anyone who loses a parent.

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Kamis, 05 Agustus 2010

[E831.Ebook] Fee Download Complete Italian Food, Carluccio's, by Priscilla Carluccio Antonio ; Carluccio

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Complete Italian Food, Carluccio's

  • Sales Rank: #5214057 in Books
  • Published on: 2006-01-01
  • Original language: English
  • Number of items: 1
  • Binding: Paperback

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Rabu, 04 Agustus 2010

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Imbibe! Updated and Revised Edition: From Absinthe Cocktail to Whiskey Smash, a Salute in Stories and Drinks to

The newly updated edition of David Wondrich’s definitive guide to classic American cocktails.

Cocktail writer and historian David Wondrich presents the colorful, little-known history of classic American drinks--and the ultimate mixologist's guide--in this engaging homage to Jerry Thomas, father of the American bar.

Wondrich reveals never-before-published details and stories about this larger-than-life nineteenth-century figure, along with definitive recipes for more than 100 punches, cocktails, sours, fizzes, toddies, slings, and other essential drinks, along with detailed historical and mixological notes.

The first edition, published in 2007, won a James Beard Award. Now updated with newly discovered recipes and historical information, this new edition includes the origins of the first American drink, the Mint Julep (which Wondrich places before the American Revolution), and those of the Cocktail itself. It also provides more detail about 19th century spirits, many new and colorful anecdotes and details about Thomas's life, and a number of particularly notable, delicious, and influential cocktails not covered in the original edition, rounding out the picture of pre-Prohibition tippling.

This colorful and good-humored volume is a must-read for anyone who appreciates the timeless appeal of a well-made drink-and the uniquely American history behind it.

  • Sales Rank: #47775 in Books
  • Published on: 2015-04-07
  • Released on: 2015-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.55" h x 1.13" w x 5.80" l, 1.00 pounds
  • Binding: Hardcover
  • 384 pages

Review
"This�isn't just nostalgia or hipster, artisanal stuff or tongue-in-cheek.�David Wondrich is a serious historian that recognized that an American art�form had been interrupted in its prime. And it would actually take serious�painstaking work to revive it...Because of him, more than because of anybody�else, we are in the midst of a national renaissance, something that we by�right own as a country."
--Rachel Maddow

"David Wondrich is a such an envy-producing polymath that it drives me to drink. Brilliant historian, beautiful writer, former punk rocker, absinthe-maker, mixological marvel, and perhaps, yes, even WIZARD. Plus he can grow an amazing beard. There are few people in the world I rely on to be so authoritative and so entertaining all at once, and to mix an amazing cocktail at the same time. And those few people are DAVID WONDRICH."
—John Hodgman, author of The Areas of My Expertise

"[Jerry] Thomas finally gets his due in�Imbibe!....Mr. Wondrich puts the drinks in context, with their ingredients explained, their measurements accurately indicated, and their place in the overall cocktail scheme clearly mapped out. At the same time, Thomas himself appears, for the first time, as a living presence: a devotee of bare-knuckle prize fights, a flashy dresser fond of kid gloves, an art collector, a restless traveler usually carrying a fat wad of bank notes and a gold Parisian watch. A player, in short."
—William Grimes,�The New York Times�

"This book will leave you shaken and, I hope, stirred. Wondrich, one of the top spirits writers in the country, delves into the rich and fascinating history of mixology in America."
—USA Today�

"Imbibe�brings back the delicious forgotten cocktails created by a pioneering American bon vivant....This book is a model for food history writing....[Wondrich is] always an enjoyable writer, curious, eager, mildly opinionated and with a taste for the amusing."
—The Los Angeles Times�

"Cocktail connoisseurs and history buffs will find this book an essential addition to their reference libraries."
—The San Francisco Chronicle�

"Wondrich offers what amounts to a history of industrial-age America writ in booze, covering everything from punches, fizzes, and sours to toddies, slings, and juleps."
—Saveur, Top Ten Reads�

"How and why America rose to world preeminence in mixology is explained zestfully in�Imbibe!."�
—Forbes�

"With�Imbibe!, David Wondrich's biography of 19-century mixologist Jerry Thomas, cocktails do the time warp."�
—New York Daily News�

"Wondrich delivers a well-researched chronicle of "Professor" Jerry Thomas's life and times as late 19th-century bartender extraordinaire...a lovely homage to Thomas's indomitable spirits."
—Publishers Weekly

"David Wondrich has drunk his way through two centuries of American cocktails and other mixed drinks.� He emerges to tell us, with clarity and wit, what he encountered, how it was made. and how to make it now.� In his recreations of the drinks of yesteryear, he stops at nothing, even growing his own snakeroot to make Jerry Thomas' Bitters. Thomas was called "the Professor" in his day.� If this title belongs to any living expert on the cocktail, it belongs to Wondrich."
—Lowell Edmunds, author of Martini, Straight Up

About the Author
David Wondrich is one of the world’s foremost authorities on cocktails and their history, and one of the founders of the current craft cocktail movement. Esquire’s long-time Cocktail Correspondent, he also writes for a host of other magazines on the subject, and when he’s not writing about it, he’s probably lecturing on it—or resting his liver. Dr. Wondrich holds a Ph.D. in comparative literature, is the winner of five Tales of the Cocktail Spirit Awards for his writing and is a partner in Beverage Alcohol Resource, the world’s leading advanced education program in spirits and cocktails. He lives in Brooklyn, New York.

Excerpt. � Reprinted by permission. All rights reserved.
ROB ROY COCKTAIL

2 DASHES ORANGE BITTERS
� JIGGER [1 � OZ] SCOTCH WHISKY
� JIGGER [1 � OZ] ITALIAN VERMOUTH
LEMON PEEL
ICE

Stir and strain into cocktail glass.

SOURCE: JOHN APPLEGREEN, APPLEGREEN’S BARKEEPER’S GUIDE, 1899.

Notes on Ingredients: Although the early recipes all agree that the Rob Roy contains Scotch and vermouth, after that they’re about as harmonious as a Glasgow pub at last call on a Saturday night. Proportions, brand of bitters, garnish, and kind of vermouth are all very much in play. Personally, I find French vermouth and Scotch to be a nasty combination, so I chose a recipe that agrees with me (it also has the advantage of being the very earliest printed for this drink). If the proportions began at fifty-fifty, as was usual with vermouth drinks, before long they had gravitated to two‑to‑one. With an 80‑proof blend, I prefer the latter; with a 90‑proof one, the former. Of the various bitters suggested, I find orange bitters—and particularly Regans’ Orange Bitters No. 6, with its complex bite—to work the best, although Peychaud’s is also pretty good. And while you’re at it, a twist of orange peel is rather nicer than lemon peel here. Dash of absinthe? As long as you’re asking . . .

Notes on Execution: Stir. Strain. Twist.



CLOVER CLUB COCKTAIL

JUICE � LEMON
� SPOON [1⁄8 OZ] SUGAR
� PONY [2 TSP] RASPBERRY [THAT IS, SYRUP]
� PONY [� OZ] WHITE OF EGG
1 JIGGER [2 OZ] GIN

Shake well. Strain.

SOURCE: ALBERT STEVENS CROCKETT, OLD WALDORF BAR DAYS, 1931 (CROCKETT WAS THE WALDORF’S PRESS AGENT, AND WHEN PROHIBITION CLOSED ITS BAR, HE RECEIVED CUSTODY OF ITS HANDWRITTEN BAR BOOK).

Notes on Ingredients: Paul E. Lowe, in his 1909 Drinks: How to Mix and Serve, suggests swapping out half the gin for French vermouth; that’s also how Harry MacElhone, who worked at the Plaza in the early 1910s, made his. This is a truly transformative suggestion, turning a serviceable drink into an ambrosial one. MacElhonealso suggests lime juice instead of lemon, which is worth trying; in either case, � ounce should do. Beverages De Luxe, a 1911 drink book that prints a Clover Club recipe its authors picked up from the Hotel Belvedere in Baltimore, agrees about the lime and the vermouth and suggests replacing the raspberry syrup with actual raspberries, if in season. This is a fine suggestion, but if adopted, it will require more sugar: say, half a dozen berries and � ounce of superfine sugar, depending on the tartness of the raspberries. If you lightly whip the egg white—here to add froth and body—with a fork, you can divide it; otherwise, use one white for every two or three drinks. Whichever formula you use, float a leaf of mint on top and you’ve got a Clover Leaf.

Notes on Execution: If you use fresh raspberries, muddle them with the sugar and the citrus and double-strain the drink—that is, use the Hawthorne strainer in the shaker and put a Julep or tea strainer over the glass to catch the raspberry seeds. Like all drinks using eggs, this one will have to be shaken extra hard.

Most helpful customer reviews

2 of 2 people found the following review helpful.
History, booze, and recipes. Definitely a must buy.
By Jeremy A.
Great read and resource for anyone interested in a somewhat untold part of American and international history and an even better reference for people interested in cocktails/bartending in general.

2 of 2 people found the following review helpful.
Amazing history and guide through early American mixology
By efm
Amazing history and guide through early American mixology. I also own the first edition and can say that the revisions in this version are worthy of the price of admission. Fantastic read.

1 of 1 people found the following review helpful.
though Wondrich must have quite enjoyed being a sesquipedalian (lover of obscure words)
By MTLivesay
A superlative, well-researched book, though Wondrich must have quite enjoyed being a sesquipedalian (lover of obscure words). I found that aspect of the book rather distracting, but otherwise enjoyed his work...this book will remain on my spirits reference shelf for many years, I'm sure!

See all 21 customer reviews...

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Imbibe! Updated and Revised Edition: From Absinthe Cocktail to Whiskey Smash, a Salute in Stories and Drinks to "Professor" Jerry Thomas, P PDF
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Senin, 02 Agustus 2010

[T450.Ebook] Download Lectura Musical para Guitarra: Nivel 1 (Spanish Edition), by Angel Candelaria

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Lectura Musical para Guitarra: Nivel 1 (Spanish Edition), by Angel Candelaria



Lectura Musical para Guitarra: Nivel 1 (Spanish Edition), by Angel Candelaria

Download Lectura Musical para Guitarra: Nivel 1 (Spanish Edition), by Angel Candelaria

Lectura Musical Para Guitarra: Nivel 1 (Spanish Edition), By Angel Candelaria. In undertaking this life, many people constantly attempt to do and also get the very best. New expertise, experience, lesson, as well as every little thing that could improve the life will be done. Nonetheless, lots of people in some cases really feel confused to get those things. Feeling the restricted of experience as well as sources to be far better is among the lacks to possess. Nevertheless, there is an extremely easy point that can be done. This is what your instructor always manoeuvres you to do this. Yeah, reading is the answer. Reading a book as this Lectura Musical Para Guitarra: Nivel 1 (Spanish Edition), By Angel Candelaria and various other references could enrich your life high quality. Just how can it be?

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Lectura Musical para Guitarra: Nivel 1 (Spanish Edition), by Angel Candelaria

Este es el primer libro de la serie Lectura Musical para la Guitarra. Con este libro aprender�s todas las notas musicales de la guitarra hasta el cuarto espacio. Es el libro perfecto para el estudiante que reci�n comienza a aprender la lectura musical en la guitarra ac�stica o el�ctrica. El mismo viene acompanado de una descarga que incluye todos los 101 ejercicios del libro grabados en formato MP3, de modo que puedas usarlos como referencia al practicar (consulta la Introducci�n del libro para informaci�n sobre como obtener los MP3's) Aunque este libro puede usarse por s� solo para el aprendizaje de las notas en la guitarra, se recomienda que se utilice junto con el libro Teor�a de la M�sica: Nivel 1, del mismo autor, ya que las lecciones en este libro est�n estructuradas en la misma secuencia que el libro de teor�a musical. De esta manera, podr�s aprender los conceptos b�sicos de la teor�a musical a la vez que los aplicas a la guitarra.

  • Sales Rank: #1067049 in Books
  • Published on: 2013-04-08
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 11.00" h x .15" w x 8.50" l, .38 pounds
  • Binding: Paperback
  • 64 pages

About the Author
�ngel Candelaria es profesor de guitarra y cuatro puertorrique�o con mas de 15 a�os de experiencia en la ense�anza musical. Posee un bachillerato en educaci�n musical del Conservatorio de M�sica de Puerto Rico, y una maestr�a en computaci�n educativa de la Universidad Interamericana de Puerto Rico. Actualmente trabaja como profesor de cuatro, guitarra y rondalla en la Escuela Especializada Libre de M�sica de Arecibo, Puerto Rico.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Un libro muy completo y bien pensado!
By Joel Ruiz
�ngel Candelaria explica en este libro de forma sencilla y sin rodeos, paso a paso los elementos b�sicos de la lectura musical en la guitarra combinado con diagramas, fotos a color, definiciones, y m�s de 100 ejercicios, e incluye un extracto del Nivel 2 de lectura para guitarra. Adem�s incluye una descarga gratuita de su libro Teor�a Musical 1. Creo que no se puede pedir m�s por un precio m�s que razonable. Altamente recomendado!

0 of 0 people found the following review helpful.
Mejor libro para comenzar guitarra.
By Luis O. Hernandez-Davila
Si quieres aprender a tocar guitarra y a la vez aprender a leer m�sica aplicado a tu instrumento, este es el mejor libro. Muy bien organizado, f�cil de entender, diagramas, ejercicios de pr�ctica, muy completo. Lo recomiendo como primer libro para guitarra.

0 of 0 people found the following review helpful.
Five Stars
By JORGE SAN MARTIN
Muy bueno

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