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From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:

• multiple definitions and practices of adaptation and appropriation
• the cultural and aesthetic politics behind the impulse to adapt
• the global and local dimensions of adaptation
• the impact of new digital technologies on ideas of making, originality and customization
• diverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of art
• the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies
• the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale.

Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.

• Sales Rank: #6572606 in Books
• Published on: 2015-11-25
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .90" w x 5.10" l, .80 pounds
• Binding: Hardcover
• 254 pages

About the Author

Julie Sanders is Professor of English and Pro-Vice-Chancellor for Humanities and Social Sciences at Newcastle University, UK.

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Create the Digital Games You Love to Play

Discover an exercise-driven, non-technical approach to game design without the need for programming or artistic expertise using Game Design Workshop, Third Edition.

Author Tracy Fullerton demystifies the creative process with a clear and accessible analysis of the formal and dramatic systems of game design. Examples of popular games, illustrations of design techniques, and refined exercises strengthen your understanding of how game systems function and give you the skills and tools necessary to create a compelling and engaging game.

The book puts you to work prototyping, playtesting, and revising your own games with time-tested methods and tools. It provides you with the foundation to advance your career in any facet of the game industry, including design, producing, programming, and visual design.

• Sales Rank: #32029 in Books
• Published on: 2014-03-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 7.25" w x 1.00" l, .0 pounds
• Binding: Paperback
• 535 pages

Review

"Game Design Workshop is a truly great book and has become, in my opinion, the de facto standard text for beginner- to intermediate-level game design education. This updated new edition is extremely relevant, useful, and inspiring to all kinds of game designers."
―Richard Lemarchand, Interactive Media & Games Division, School of Cinematic Arts, University of Southern California

"This is the perfect time for a new edition. The updates refresh elements of the book that are important as examples, but don’t radically alter the thing about the book that is great: a playcentric approach to game design."
―Colleen Macklin, Associate Professor, Parsons The New School for Design

"Tracy Fullerton’s Game Design Workshop covers pretty much everything a working or wannabe game designer needs to know. She covers game theory, concepting, prototyping, testing, and tuning, with stops along the way to discuss what it means to a professional game designer and how to land a job. When I started thinking about my game studies course at the University of Texas at Austin, this was one book I knew I had to use."
―Warren Spector, Creative Director, Junction Point Studios

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9 of 9 people found the following review helpful.
A great one-stop shop for game designing
By Maxwell Edison
This would work great as a textbook in a game-design course. It covers a lot of territory and explains a lot of game-design elements in a clear way. I'm not interested in designing video games; I'm more interested in developing multiplayer board games and prop-based games. This book is great in that it is more about how to create game components and dynamics than coding or animation, although it touches on those elemtns, too. So it works for all sorts of games, including video games but it's not limited to them alone.

4 of 4 people found the following review helpful.
An intensive, portable workshop
By B. Caruso
Tracy Fullerton's third edition of Game Design Workshop is not light, casual reading. Other reviewers have described it as a textbook, and it does have some of the makings of an academic tome (namely some of the language and the sheer concentration of information wedged between the covers), however the title says it perfectly: this is a workshop.

I think the best way to approach this volume is to read it and tackle the examples and actively workshop an idea rather than attempting to learn all of the steps needed to take an idea all the way through to production.

I am not a game designer, nor do I have aspirations of becoming one (or any of the other roles involved in producing a game). My son is into this stuff and often bounces ideas off of me. I thought Game Design Workshop would provide the guidance and resources so I can tutor him and guide him through fleshing out his ideas. This book is thorough and interesting and very detailed and an excellent resource and guide.

5 of 6 people found the following review helpful.
Great presentation on all aspects of game design
By Patrick Regan
Game Design Workshop is an amazing book. The author covers every aspect of game development in a manner that is thorough and informative. As I read this book, I felt as though my eyes were opened to some of the games I was playing at the time, I found myself comparing and contrasting approaches made by game designers in each of the game I played. Also, the author provides a great set of exercises that really help the reader apply the knowledge presented in the book. I should note that this is not a book on programming but rather it is a book about how to do the design of games which is something you will want to do before setting down to code anyway. I highly recommend this book to anyone who has a dream of making a video game.

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A decade ago, Thomas J. Tierney left Bain & Company to cofound The Bridgespan Group, a nonprofit focused on helping donors and nonprofit leaders to develop and execute strategies to accelerate social change. In Give Smart, Tierney pools his hands-on knowledge with Duke professor Joel L. Fleishman's expertise to create a much-needed primer for philanthropists and the nonprofit organizations they support. Drawing from personal experiences, research spanning twentieth- and twenty-first-century philanthropy, contemporary interviews, and Bridgespan's extensive field work, Give Smart presents the definitive guide to engaged philanthropy.

• Sales Rank: #59568 in Books
• Published on: 2012-04-03
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .63" w x 5.50" l, .60 pounds
• Binding: Paperback
• 272 pages

Review
“Giving away money is easy, but making a real difference is hard work. Give Smart addresses these challenges head-on and provides a strong analytic framework and practical advice for effective philanthropy—replete with compelling examples. Written by two leaders in the field, this is a must-read for the new philanthropist and a valuable resource for old hands as well.”
 
John C. Whitehead

“Give Smart is must reading for all philanthropists, large or small. It's written by two people with long experience, and it will make your gifts go farther.”

Pierre Omidyar

“As Pam and I continue to learn through our own giving, the challenges in creating positive social impact are many and complex. Give Smart provides thoughtful guidance on how to build an effective and personal approach to philanthropy, illustrated through real-world examples, proven methodologies, and insightful commentary. We highly recommend Give Smart to anyone who wants to make a difference, whether in their local community or around the world.”

Publishers Weekly, March 21, 2011
“An interesting and well-considered guide to go to before you give.”

PhilanthropyRoundtable.org,  March 31, 2011

“A superb guide for donors who want to be as smart in their giving as they have been in business.”

Jim Collins

“Give Smart is a great gift to the world. By asking questions—the right questions—Tierney and Fleishman guide, advise, challenge, and, as with all great teachers, push us to find our own best answers. If you want your philanthropy to be useful—changing lives, solving intractable problems, making society work better—then engage deeply with this book!”

Melinda Gates

“One of the most exciting and important parts of my job as a philanthropist is learning. Over the years, Bill and I have learned so much from the authors of this book, and we are thrilled to see that wisdom collected in Give Smart so that everybody can benefit from it the way we have.”
 
Helene Gayle

“Having been on ‘both sides of the check,' first working in philanthropy and now as a recipient of philanthropic dollars, I found Give Smart a must read. The relationship between grantmakers and nonprofit organizations is a delicate dance, one that—when done well—can achieve incredible social good. Not only does this book provide a practical guide for those who want to achieve high impact philanthropy, it also helps nonprofits understand the aspirations and expectations of the donor. Don't begin, or continue, your philanthropy without reading it.”
 
Paul Brest

About the Author
Thomas J. Tierney is the cofounder and chairman of The Bridgespan Group, a nonprofit advisor to the nonprofit sector and its donors.
Joel L. Fleishman is professor of law and public policy at Duke University and author of The Foundation.

Most helpful customer reviews

7 of 7 people found the following review helpful.
The right one, especially if you plan to donate large amounts
By Marty Nemko
So much how-to advice is common sense, and yes, much of that in Give Smart is no exception. But I've read three books on the topic, most recently the unfortunate Giving 2.0, which is pretty puerile, and I find Give Smart to be the best of the bunch. Yes, it tells you the obvious: align your values with your donations, have open and honest communication with grantees, and so on, but because the book is borne of considerable experience and cites example after example, there's enough nuance spread through the book to justify the time to read, at least sections of it.

For example, grantors should not impose undue reporting requirements on the grantee. Sure, you want to know you're getting value received for your largesse but so often, accountability beyond a modest amount, hurts the organization and its efforts more than it assures you're getting bang for the buck.

The book stresses that you need to restrain excessive desire for micromanaging--you're not the program director, you are the funder and perhaps occasional advisor. The book urges that you put the time in, up front to find the right organization, and then try to keep your involvement modest. You need evaluate not just compatibility of the organization's mission with your values but, just as a venture capitalist might, carefully evaluate the quality of its leadership, its track record of results, and the sense that you'll trust the competence and integrity of their leaders, and yes, enjoy working with them: Donors have the right to derive some pleasure not only from the outcome of their donation but from the process, their involvement with the grantees.

1 of 1 people found the following review helpful.
Demand excellence of yourself
By Eileen Ellsworth
On average, philanthropy is ... well ... average. The current state of philanthropy is that it overhypes and underperforms. Market forces do not come into play, and the power imbalance between donors who have money and nonprofits who seek it can have a chilling effect on real time and useful feedback. Give Smart looks at what it takes to utterly transform this. Outstanding donors demand excellence of themselves and do not settle for mediocre results. They develop true and open partnerships with grantees and are not afraid of failure. They are clear about their values and beliefs and realistic about what they hope to accomplish. They have gone through the process of thoughtfully defining success and have a plan to achieve it. Most tellingly, donors who "give smart" continuously ask "Am I getting better?" and consciously learn to improve over time. Give Smart is a breadth of fresh air, challenging all philanthropists to rethink what they do and how they do it in order to get results.

6 of 6 people found the following review helpful.
Mostly for BIG donors
By Sapphire
The book gives good advice but much of it applies mostly to mega-donors; those who need a family office or will employ staff to administer their charitable funds.

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Art Of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives, by Lajos Egri

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Learn the basic techniques every successful playwright knows Among the many "how-to" playwriting books that have appeared over the years, there have been few that attempt to analyze the mysteries of play construction. Lajos Egri's classic, The Art of Dramatic Writing, does just that, with instruction that can be applied equally well to a short story, novel, or screenplay. Examining a play from the inside out, Egri starts with the heart of any drama: its characters. All good dramatic writing hinges on people and their relationships, which serve to move the story forward and give it life, as well as an understanding of human motives -- why people act the way that they do. Using examples from everything from William Shakespeare's Romeo and Juliet to Henrik Ibsen's A Doll's House, Egri shows how it is essential for the author to have a basic premise -- a thesis, demonstrated in terms of human behavior -- and to develop the dramatic conflict on the basis of that behavior. Using Egri's ABCs of premise, character, and conflict, The Art of Dramatic Writing is a direct, jargon-free approach to the problem of achieving truth in writing.

• Sales Rank: #64157 in Books
• Brand: Brand: BN Publishing
• Published on: 2009-02-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .73" w x 6.00" l, 1.01 pounds
• Binding: Mass Market Paperback
• 332 pages

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• ISBN13: 9789562915861
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
For many years, Lajos Egri's highly opinionated but very enjoyable The Art of Dramatic Writing has been a well-guarded secret of playwrights, scriptwriters, and writers for television. Unlike many other books on playwrighting (several of which Egri criticizes during the course of this one), the author's systematic breakdown of the essentials for creating successful realistic plays and screenplays effectively demystifies the process of creative writing. Egri, who formulated his thoughts about "a well-made play" during its heyday (the 1940s and '50s), places a premium on an exhaustive analysis of characters and discussion of their psychological motivations. The writer is exhorted to find a premise to explore and to discover which characters will most effectively demonstrate this thesis, then is shown how most effectively to place them into conflict with each other. Conflict itself is also discussed, particularly how to create scenarios in which the crisis develops at a pace that feels unforced and natural. While Egri's view of the well-made play has little space for either the spare musings of Beckett and Pinter or the conscious excesses of non-narrative and other experimental writing, it nonetheless remains an essential text for writers drawn to realistic drama, and to any writer interested in the fundamental motivations of human behavior. --John Longenbaugh

Review
Moss Hart

Moss Hart I found Lajos Egri's book enormously interesting --one of the best I have ever read.

Moss Hart

I found Lajos Egri's book enormously interesting --one of the best I have ever read.

About the Author
Lajos Egri (1888-1967) was born in Hungary and founded the Egri School of Writing in New York City in the 1930s. In addition to writing books, he spent his life writing and directing plays in both the United States and Europe, as well as writing screenplays for the film industry.

Most helpful customer reviews

83 of 86 people found the following review helpful.
Chock full of drama goodies
By Eric von Rothkirch
What Lajos Egri will show you:

* Formulate your premise. Premise is a statement, idea, or conviction that your story proves true. For example, the premise of Romeo and Juliet would be something like "Love defies even death."

* Choose a pivotal character who will force the conflict.

* Orchestrate the other characters. The unity of opposites must be binding. Polar opposites must form a dialectic which creates a unified tension.

* Be careful to select the correct point of attack. Every point of attack starts with conflict.

* There are several types of conflict, such as jumping conflict, but you only want rising or foreshadowing conflict.

* No conflict can rise without perpetual exposition, which is transition. For example, a character going about his daily life doesn't suddenly become a NAZI, it happens in gradual steps--transition.

* Rising conflict, the product of exposition and transition, will ensure growth.

* Characters must conflict--there must be some polarity.

* Crisis will lead to climax. Climax will lead to conclusion.

* Dialogue should come from the voice of the character, not the writer.

Many TV, film, and novel plots and characters lack compelling conflict. The characters are just floating by... until something big happens. Lajos Egri illustrates how to change all this.

114 of 122 people found the following review helpful.
Our Aristotle
By Mark Wieczorek
Egri's work is the only contender that I know of to Aristotle's "Poetics" for a guide to what makes good writing Good. Throw in Joseph Campbell's "The Hero with A Thousand Faces" and you have a sort of holy trilogy and trinity for writers. I've looked at some writing computer programs (haven't bought any yet), and many of them use one, or all of these methods. As an aside, I'll also throw in Polti as a source for plot. Not because I think he's very good, but because he's popular.
In Egri's world, character is king. Each of the characters, he states, must have a driving reason to be on stage, and their reasons must be diametrically opposed. In other words, they can't all get what they want - for one person to get what she wants, someone else must be deprived of their goal. Each character must also be desperate (desperate enough to be interesting) to get what he wants. (It's been a few years since I've read Egri, so please forgive my bad paraphrasing.)
Using many examples (some familiar, some unfamiliar) he gives you the tools to analyze plays (and all stories), and (therefore, hopefully) write plays, or stories, or novels, or movies... My girlfriend and I, even years after reading this book can't walk out of a movie theater or playhouse without analyzing it using the methods we learned from Egri.
If I were only able to reccomend one book to writers, this would be it. (Followed, of course, by Aristotle & Campbell). If I were to have all books erased from my memory and could only re-read one, this would be a strong contendor. If I could say only one thing to you, reader of this review, it would be read this book as soon as you can get your grubby hands on it.

48 of 51 people found the following review helpful.
I wish I had read this one first
By A Customer
Well, I read this book recently after reading god knows how many screenwriting books. Some of them are quite repetitive aren't they?! The thing that I've found is that there are a lot of books out there that explain the three-act structure by saying you have a set-up, then you have your turning points, your climax, your resolution blah blah blah. Thing is we all instinctively know we need this stuff in our plays and screenplays but what's hard as a writer is actually figuring out what these should be. What makes a good turning point, what makes a good resolution etc? If you want to find out, I strongly suggest you read this book.
I found this book (along with Robert McKee's 'Story') the most useful out of the many (screenwriting) books I've read because he gets into the nitty gritty hard stuff. He makes you think about how important the premise is. I disagree with some of the reviews of this book on this site that say that Egri says you have to know your premise from the outset, he doesn't say that, what he does say is that you have to know it clearly at some stage in writing your script and this is true because we go to films to find something out and all the pieces have to fit together or you'll say something like 'The second half of the movie dragged', 'Why did she do that? That wasn't in character' or 'The movie tried to prove too many points all at once' and so on.
The more I write scripts, the more I realise that it's all about planning and architecture because pacing is everything unlike novels etc.
In particular, the most useful takeout from this book is that your premise has to match your character and story. He goes into detail using 'A Doll's House' as an example. If Nora had been a different character, the resolution wouldn't have worked as well as it did and if the story happenings weren't chosen carefully based on her character, then the story wouldn't have rung true nor would we have understood what the premise is.
The other thing that I think you'll really like is the stuff on conflict, the different types of conflict and when to use a particular kind of conflict for the story you wish to tell.
I'm writing a script right now and this book encouraged me to be a bit more lateral and let go of the ideas I already had because they may not be the right situation for my main character or the story as is might not be the best vehicle for arguing the premise I want to argue.
Brilliant stuff! Written so long ago yet still so relevant.

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[Q572.Ebook] Download PDF The Haunting of Hill House: A Drama of Suspense in Three Acts, by from the novel

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Book by Leslie, F. Andrew

• Sales Rank: #930873 in Books
• Brand: Brand: Dramatists Play Service
• Published on: 1998-01
• Original language: English
• Number of items: 2
• Dimensions: 8.00" h x 5.50" w x .25" l, .20 pounds
• Binding: Paperback
• 72 pages

Features

• Used Book in Good Condition

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1 of 1 people found the following review helpful.
A fantastic book with many applaudable aspects.
By A Customer
This book is filled with a captivating plot, and reveals the twists of a confused woman's mind as she is pulled further and further into darkness. This is a book you shouldn't miss.

3 of 4 people found the following review helpful.
THE ghost story
By John Short
Shirley Jackson is the master of story telling. She has a way of making you think about every word she writes. She makes even the smallest details a major part of the over all story (like the stone lions). The Haunting of Hill House is a great psychological horror novel that is notorious for making you jump. By the tragic end, you are shocked that such a great story could come from one woman.

0 of 0 people found the following review helpful.
Play Version of a Favorite Classic
By Bobbi A. Chukran
I've read the novel many times; it's one of my favorite gothic suspense/ghost stories.

It was interesting to also read the play script. The play tracked fairly well with the original story.

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• Binding: Paperback

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Two opposites in every way, Jason's love may save her. But will his secret destroy her?

Miranda has always run from every problem and every confrontation, only trusting herself. People always proved that lesson time and time again. �Until a car accident nearly destroyed her life.
In that instant, Jason became her unexpected rock. Struggling against everything she ever knew, she tried to trust him.

Over time, Miranda thought she knew everything about him. Then came the day she discovered he was running too. His love may save her, but will his secret destroy her?

• Sales Rank: #1641198 in Books
• Published on: 2015-08-12
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .69" w x 6.00" l, .89 pounds
• Binding: Paperback
• 274 pages

About the Author
CeeCee James is a wife, mom of four rambunctious kids and pet mom to two mini-dashchunds. She's always loved to read and always had her nose in a book-- getting her into trouble at school when she'd sneak it in her text books.�

Writing has been a life long passion. Her first works were published in middle school and she won several short story and poetry competitions through out her life. She loves writing about love, humanity's struggles and the celebration of life. Sometimes there is beauty even in the��chaos of a messy moment. For her, writing is about taking time to savor those moments.

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0 of 0 people found the following review helpful.
I really like how the past and the present were woven in ...
By Amazon Customer
can't wait to read the second book! I really like how the past and the present were woven in together; it brought out why Miranda was the way she is and was revealed slowly instead of all at once giving the book at good pace. Also in the flashbacks, some of Jason was revealed also.

The circumstances that brought them back together was tragic, but if she hadn't run the second time, Miranda and Jason wouldn't have found each other. As it came out later in the book, Jason is a runner also. I do wish there had been more on how they found their "uncle". I really wanted to know because I became invested in their story, past and present.

Emma Clark did a fantastic job on the narration. She infused each character with their own distinct personality, didn't go too fast or too slow.

I highly recommend this book.

0 of 0 people found the following review helpful.
Cute story
By Evenstar
This novel flipped from present time to the past. I enjoyed seeing a glimpse into the character's this way.

A bit tragic. Not without its predictability.

Reader Rated 14+ for mild violence and adult themes.

0 of 0 people found the following review helpful.
Fantastic!
By A.B.
I really enjoyed this book. It was entertaining all the way through. The author displays great skill in weaving this tale from beginning to end. Kudos!

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